Artists in Exile

Yale puts suffering and hope on display

Header Image - Paul Gauguin, "Parau Parau (Whispered Words)," 1892, Oil on canvas. Yale University Art Gallery

BY: Jes Zurell

Friedrich Nietzche once wrote, “To live is to suffer, to survive is to find some meaning in the suffering.” History is dense with famous aphorisms about agony, as it is one of the constants in the human condition. Turmoil is the counterweight to bliss, and the art world is ripe with the fruit of both.

There are the suppositions about artists only creating great work after having experienced the worst days of their lives. The belief that great beauty can only come from great suffering is a cliche that many artists fear because it dares one’s fate to take a turn for the worse. It is a sensitive nerve in the global art body – one begging to be pressed, and one precisely targeted by Artists in Exile: Expressions of Loss and Hope, an exhibition currently on view at the Yale University Art Gallery in New Haven, Connecticut through the end of 2017.

The artists included in the show survived exile in the form of being forced from their motherland or from their adopted home because of genocide, war, or discrimination. This experience can make anyone feel like a severed limb, and the way each artist processes that condition makes for a provocative and heart-wrenching curation. The show features works by Josef Albers, Kurt Schwitters, Marcel Duchamp, and other prominent individuals, as well as several noteworthy lesser-known artists.

Though all of the work collectively sings in a minor key, there are notes of bright clarity and of the promise of hope. A photograph by Shirin Neshat shows figures clad in burkas standing motionless on the shore. Their dark forms are arranged like quarter notes scattered across a musical staff, and you can hear their despair, and their acceptance of what their lives have become. In an untitled painting by Ahmed Alsoudani, a face is depicted in a disfigured expression that anyone can recognize as the experience of witnessing death.

The artwork rips your heart out, but hands it back to you with a solemn nod that urges you to use it better the second time around. Here’s to finding meaning in the suffering.

Artists in Exile: Expressions of Loss and Hope is organized by Frauke V. Josenhans, the Horace W. Goldsmith Associate Curator of Modern and Contemporary Art. Made possible by the Richard Brown Baker, B.A. 1935, Collection Care and Enhancement Fund and the Société Anonyme Endowment Fund.

Two Women in a Park
Emil Nolde, Two Women in a Park, ca. 1941–45. Watercolor on paper. Collection of Philip H. Isles. © Nolde Stiftung Seebüll

 

Black Woman Looking Up
Elizabeth Catlett, My right is a future of equality with other Americans, from the series The Negro Woman, 1947. Two-color linocut. Yale University Art Gallery, Leonard C. Hanna, Jr., Class of 1913, Fund, 1995.5.3. Art © Catlett Mora Family Trust/Licensed by VAGA, New York, N.Y.

 

Older Couple in a dining room
Henry Koerner, My Parents I, 1944. Oil on Masonite. Private collection. Courtesy Estate of Joan Koerner

 

Matta
Matta, Untitled, 1943–44. Graphite and colored crayon on paper. Yale University Art Gallery, Gift of Thomas T. Solley, b.a. 1950, 2002.15.24. Matta © 2017 Artists Rights Society (ARS) New York/ ADAGP, Paris

 

Mu Xin, Pure Mind
Mu Xin, Pure Mind amid Colored Clouds, 1977–79. Ink and gouache on paper. Yale University Art Gallery, Gift of the Rosenkranz Charitable Foundation at the request of Alexandra Munroe and Robert Rosenkranz, b.a. 1962, 2010.84.13. Copyright Estate of Mu Xin, courtesy Mu Xin Art Museum

 

Women on a beach
Shirin Neshat, Untitled, from the series Rapture, 1999. Gelatin silver print. Yale University Art Gallery, Gift of Susan and Arthur Fleischer, Jr., b.a. 1953, ll.b. 1958, 2012.137.26. © Shirin Neshat. Courtesy Gladstone Gallery, New York and Brussels

 

Church in Puddle
Abelardo Morell, Camera Obscura: La Giraldilla de la Habana in Room with Broken Wall, 2002. Gelatin silver print. Yale University Art Gallery, Gift of Robinson A. Grover, b.a. 1958, m.s.l. 1975, and Nancy D. Grover, 2016.26.23. © Abelardo Morell, Boston/Courtesy Edwynn Houk Gallery, New York and Zürich

 

Scary face
Ahmed Alsoudani, Untitled, 2008. Hardground etching, aquatint, spit bite, and drypoint. Yale University Art Gallery, Purchased with a gift from the Arthur and Constance Zeckendorf Foundation, 2012.112.1. © Wingate Studio and Ahmed Alsoudani

 

George Grosz
George Grosz, Self-Portrait, 1938. Charcoal on paper. Private Collection. Photo: Christopher Gardner

 

Embroidery circles
Lucas Samaras, Untitled, 1963. Mixed media on board. Yale University Art Gallery, Richard Brown Baker, b.a. 1935, Collection, 2008.19.250. © Lucas Samaras, courtesy Pace Gallery

 

Parau Parau
Paul Gauguin, Parau Parau (Whispered Words), 1892. Oil on canvas. Yale University Art Gallery, John Hay Whitney, b.a. 1926, hon. 1956, Collection, 1982.111.5