How Artists Invented Downtown

At the Grey Art Gallery through April 1

In 1950’s and 1960’s New York, Pop Art had yet to transform the art world, Soho was still light years away and young contemporary artists were fed up with the slick commercialism of the galleries uptown. So they migrated down to lower Manhattan where space was plentiful and created their own places to make and show art. The result was a diverse and thriving artist-owned art scene where innovation and experimentation flourished.

Inventing Downtown: Artist-Run Galleries in New York City, 1952–1965 captures the spirit of this pivotal time, bringing together over 200 items—paintings, assemblage, sculpture, works on paper, fascinating ephemera and documentary photographs. The early work of Alex Katz and Jim Dine is featured, but also candid images like a young, sultry Yoko Ono perched on a piano pre-performance or Red Grooms wheeling an oversized painting across a busy intersection in a baby carriage. Inventing Downtown offers a rare intimate look at a movement that made the contemporary art of today possible. The show is on view at NYU’s Grey Art Gallery through April 1.

PROVOKR members can view some of the highlights of this fascinating show, above and below.

 

Blue Blue Blue by Allan Kaprow (1956
). Collage and oil on canvas, 60 x 47 1/2 inches.
 Allan Kaprow Estate. Courtesy Hauser and Wirth, New York.
Blue Blue Blue by Allan Kaprow (1956
). Collage and oil on canvas, 60 x 47 1/2 inches.
 Allan Kaprow Estate. Courtesy Hauser and Wirth, New York.

 

Portrait of Jane Freilicher by Jane Wilson (1957). 
Oil on canvas, 36 x 24 inches.
 Estate of John Gruen. © Estate of Jane Wilson. Courtesy DC Moore Gallery, New York.
Portrait of Jane Freilicher by Jane Wilson (1957). 
Oil on canvas, 36 x 24 inches.
 Estate of John Gruen. © Estate of Jane Wilson. Courtesy DC Moore Gallery, New York.

 

Blue Intrusion by Hale Woodruff (1958). 
Oil on canvas, 70 x 40 inches. 
Grey Art Gallery, New York University Art Collection. Anonymous gift, 1958.35. Art © Estate of Hale Woodruff/Licensed by VAGA, New York, NY.
Blue Intrusion by Hale Woodruff (1958). 
Oil on canvas, 70 x 40 inches. 
Grey Art Gallery, New York University Art Collection. Anonymous gift, 1958.35. Art © Estate of Hale Woodruff/Licensed by VAGA, New York, NY.

 

Ada Ada by Alex Katz (1959
). Oil on canvas, 49 x 50 inches.
 Grey Art Gallery, New York University Art Collection. Gift of Mr. and Mrs. Samuel Golden, 1963.13. Art © Alex Katz/Licensed by VAGA, New York, NY.
Ada Ada by Alex Katz (1959
). Oil on canvas, 49 x 50 inches.
 Grey Art Gallery, New York University Art Collection. Gift of Mr. and Mrs. Samuel Golden, 1963.13. Art © Alex Katz/Licensed by VAGA, New York, NY.

 

Untitled (Blue/Green) by Tadaaki Kuwayama
 (1961). 
Dry pigment and acrylic on paper with aluminum, mounted on Masonite, 48 x 30 inches.
 Courtesy of the artist.
Untitled (Blue/Green) by Tadaaki Kuwayama
 (1961). 
Dry pigment and acrylic on paper with aluminum, mounted on Masonite, 48 x 30 inches.
 Courtesy of the artist.

 

Adieu Amerique by Boris Lurie (1959–1960
). Oil on canvas, 55 1/2 x 51 1/2 inches. Boris Lurie Art Foundation, New York.
Adieu Amerique by Boris Lurie (1959–1960
). Oil on canvas, 55 1/2 x 51 1/2 inches. Boris Lurie Art Foundation, New York.

 

Poster for Doom Show by Sam Goodman (1961), March Gallery, New York. Paint on cardboard in wooden box with Plexiglas,
 43 1/2 x 33 x 5 inches.
 Boris Lurie Art Foundation, New York.
Poster for “Doom Show” by Sam Goodman (1961), March Gallery, New York. Paint on cardboard in wooden box with Plexiglas,
 43 1/2 x 33 x 5 inches.
 Boris Lurie Art Foundation, New York.

 

Yoko Ono with Toshi Ichiyanagi (at the piano) and Toshiro Mayuzumi at her Chambers Street loft (1961). Photograph: Minoru Niizuma. Collection of Yoko Ono, New York. © Yoko Ono. Stretching horizontally across the background in this publicity photo for a concert
at the Village Gate is one of Ono’s participatory Instruction Paintings.
Yoko Ono with Toshi Ichiyanagi (at the piano) and Toshiro Mayuzumi at her Chambers Street loft (1961). Photograph: Minoru Niizuma. Collection of Yoko Ono, New York. © Yoko Ono. Stretching horizontally across the background in this publicity photo for a concert
at the Village Gate is one of Ono’s participatory Instruction Paintings.

 

Announcement for Jim Dine exhibition, Reuben Gallery, New York, April 1–14, 1960
 by Jim Dine. 7 1/4 x 10 3/8 inches.
 Courtesy the Oldenburg van Bruggen Studio, New York Photo: José Andrés Ramírez, New York.
Announcement for Jim Dine exhibition, Reuben Gallery, New York, April 1–14, 1960
 by Jim Dine. 7 1/4 x 10 3/8 inches.
 Courtesy the Oldenburg van Bruggen Studio, New York Photo: José Andrés Ramírez, New York.

 

Street Scene by Mimi Gross 
(1958). 
Oil stick on paper, 11 x 13 7/8 inches. Courtesy the artist
Photo: Jeffrey Sturges.
Street Scene by Mimi Gross 
(1958). 
Oil stick on paper, 11 x 13 7/8 inches. Courtesy the artist
Photo: Jeffrey Sturges.