Francis Picabia at MoMA

First-ever major U.S. show

Above: Promenade des Anglais (Midi) (c. 1924–25), by Francis Picabia. Oil, enamel paint, feathers, pasta and leather on canvas, in a frame by Pierre Legrain, 30 x 52.5 x 6 inches, with frame. Yale University Art Gallery. © 2016 Artists Rights Society (ARS), New York/ADAGP, Paris. Home page/Art page: Danger of Strength (1947–50), by Francis Picabia. Oil on canvas, 45.5 x 35.0625 inches. Museum Boijmans Van Beuningen, Rotterdam. © 2016 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: Studio Tomp, Rotterdam.

BY: Howard Karren

He was born in Paris in 1879 to a French mother and Cuban father. After painting in an Impressionist style in his younger days, he made an influential series of Cubist works, became a key figure in the revolutionary Dada movement, then moved on to the Surrealists, and kept innovating (with some “girlie”-magazine-illustration-style paintings during World War II, like Women With Bulldog, below) and pushing himself until his death in 1953. Though Picabia never became a household name, he was one of the most important provocateurs of 20th-century art. And at long last his work and life have been given a major retrospective in the U.S. “Francis Picabia: Our Heads Are Round so Our Thoughts Can Change Direction,” was exhibited at the Museum of Modern Art in New York from November 21 through March 19, 2017, offering more than 200 works of art of various media, including 125 paintings. Here is PROVOKR’s portfolio of some of the titillating treasures on view.

 

Picabia, Francis
I See Again in Memory My Dear Udnie (1914), by Francis Picabia. Oil on canvas, 98.5 x 78.25 inches. Museum of Modern Art, New York. © 2016 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: Museum of Modern Art, John Wronn.

 

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The Cacodylic Eye (1921), by Francis Picabia. Oil, enamel paint, gelatin silver prints, postcard and cut-and-pasted printed papers on canvas, 58.5 x 46.25 inches. Centre Pompidou, Musée national d’art moderne – Centre de création industrielle, Paris. © 2016 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: © CNAC/MNAM/Dist. RMN-Grand Palais/Art Resource, NY.

 

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Superimposed Heads (1938), by Francis Picabia. Oil on wood, 28.75 x 24.8125 inches. Private collection. © 2016 Artists Rights Society (ARS), New York/ADAGP, Paris.

 

Femmes au bull-dog Picabia Francis (1879-1953) Paris, musée national d'Art moderne - Centre Georges Pompidou
Women With Bulldog (c. 1941), by Francis Picabia. Oil on board, 41.75 x 29.9375 inches. Centre Pompidou, Musée national d’art moderne – Centre de création industrielle, Paris. © 2016 Artists Rights Society (ARS), New York/ADAGP, Paris. © CNAC/MNAM/Dist. RMN-Grand Palais/Art Resource, NY.

 

Museum Ludwig Koeln, ML, Picabia, Francis, La nuit espagnole, 1922, ML 01299
The Spanish Night (1922), by Francis Picabia. Enamel paint on canvas, 63 x 51.1875 inches. Museum Ludwig, Cologne. © 2016 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: © Rheinisches Bildarchiv Köln.

 

Francis Picabia (1879-1953). "Les Amoureux (après la pluie)". Ripolin sur toile. vers 1924-1925. Paris, musée d'Art moderne.
The Lovers (After the Rain) (1925), by Francis Picabia. Enamel paint and oil on canvas, 45.6875 x 45.25 inches. Musée d’Art moderne de la Ville de Paris. © 2016 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: © Musée d’Art Moderne/Roger-Viollet.

 

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Salomé (1930), by Francis Picabia. Oil on canvas, 76.75 x 51.1875 inches. Collection Broere Charitable Foundation. © 2016 Artists Rights Society (ARS), New York/ADAGP, Paris.

 

Purchased with assistance from the Friends of the Tate Gallery 1990© ADAGP, Paris and DACS, London 2015
Portrait of a Doctor (1935–c. 1938), by Francis Picabia. Oil on canvas, 36.25 x 28.6875. Tate. © 2016 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: Tate, London/Art Resource, NY.

 

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Very Rare Picture on the Earth (1915), by Francis Picabia. Oil, metallic paint, pencil and ink on board, with gold and silver leaf on wood, in a wood frame possibly constructed by the artist, 49.625 x 38.5625 x 2.1875 inches, with frame. Peggy Guggenheim Collection, Venice. © 2016 Artists Rights Society (ARS), New York/ADAGP, Paris

 

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Danger of Strength (1947–50), by Francis Picabia. Oil on canvas, 45.5 x 35.0625 inches. Museum Boijmans Van Beuningen, Rotterdam. © 2016 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: Studio Tomp, Rotterdam.

 

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Tableau vivant (1951), by Francis Picabia. Oil on board, 41.3125 x 29.125 inches. Inge and Philip van den Hurk, The Netherlands. © 2016 Artists Rights Society (ARS), New York/ADAGP, Paris.

 

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