Mexican Modernism

Epic show at the Philadelphia Museum of Art through January 8

Above: The Epic of American Civilization (detail) (1932–34), by José Clemente Orozco. Home page/Art page: Portrait of Martín Luis Guzmán (1915), by Diego Rivera.

BY: Howard Karren

The Mexican Revolution began in 1910 and lasted for most of the decade. More than a million people lost their lives, and the country was transformed, forcing electoral, land and labor reforms and the establishment of a new constitution in 1917. Artists were naturally inspired by the ideals of the Revolution, and a unique form of Mexican modernism blossomed, distilling the styles of avant-garde movements in 20th-century European art with folkloric and native traditions. Some world renowned talents rose to prominence over the next 40 years—Diego Rivera, Frida Kahlo, José Clemente Orozco, David Alfaro Siqueiros and Rufino Tamayo—and there was growing recognition in the United States and around the globe of Mexico’s cultural importance.

Now the Philadelphia Museum of Art, which has one of the finest collections of Mexican art in the U.S., in partnership with the Museo del Palacio de Bellas Artes in Mexico City, has launched a landmark exhibition that exploring this extraordinary moment in the history of Mexican art. “Paint the Revolution: Mexican Modernism, 1910–1950,” running through January 8, is the most comprehensive show of Mexican modernism in the United States in more than 70 years and features a wide range of murals, paintings, prints, photographs, books and broadsheets. Here is a PROVOKR portfolio of some of the extraordinary works in the exhibit.

 

MEX_Image_1_-_Optic_Parable
Optic Parable (1931), by Manuel Álvarez Bravo. Philadelphia Museum of Art.

 

MEX_Image_2_-_Our_Lady_of_Sorrows
Our Lady of Sorrows (1943), by María Izquierdo. Private collection, USA.

 

caption
Self-Portrait on the Border Line Between Mexico and the United States (1932), by Frida Kahlo. Colección de Maria y Manuel Reyero, New York. © Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F./Artists Rights Society (ARS), New York.

 

MEX_Image_4_-__Woman_of_Tehuantepec
Woman of Tehuantepec (c. 1929), by Tina Modotti. Philadelphia Museum of Art.

 

MEX_Image_5_-_Proletarian_Hand
Proletarian Hand (1932), by Leopoldo Méndez. Philadelphia Museum of Art.

 

MEX_Image_6_-_Barricade
Barricade (1931), by José Clemente Orozco. Museum of Modern Art, New York. © José Clemente Orozco/Artists Rights Society (ARS), New York/SOMAAP, Mexico.

 

MEX_Image_7_-_Epic_of_Amer_Civilization_mural_detail-header
The Epic of American Civilization (detail) (1932–34), by José Clemente Orozco. Hood Museum of Art, Dartmouth College.

 

MEX_Image_8_-_Mexico_City
Mexico City (1949), by Juan O’Gorman. Acervo CONACULTA-INBA, Museo de Arte Moderno.

 

MEX_Image_9_-_Portrait_of_Guzman-landing
Portrait of Martín Luis Guzmán (1915), by Diego Rivera. Fundación Televisa Collection. © Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F./Artists Rights Society (ARS), New York.

 

MEX_Image_10_-_Dance_in_Tehuantepec
Dance in Tehuantepec (1928), by Diego Rivera. Clarissa and Edgar Bronfman Jr. Collection. © Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F./Artists Rights Society (ARS), New York.

 

MEX_Image_11_-_Liberation_of_the_Peon
Liberation of the Peon (1931), by Diego Rivera. Philadelphia Museum of Art. © Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F./Artists Rights Society (ARS), New York.

 

MEX_Image_12_-_Peasants
Peasants (c. 1913), by David Alfaro Siqueiros. Pastel on paper. Museo Nacional de Arte, INBA.

 

MEX_Image_13_-_Zapata
Zapata (1931), by David Alfaro Siqueiros. Philadelphia Museum of Art. © Artists Rights Society (ARS), New York/SOMAAP, Mexico.

 

MEX_Image_14_-_Homage_to_the_Indian_Race
Homage to the Indian Race (1952), by Rufino Tamayo. Acervo CONACULTA-INBA, Museo de Arte Moderno.

 

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