Being: New Photography

Bold, diverse and fresh at MOMA

Joanna Piotrowska. XXXI, FROWST. 2013-2014. Gelatin silver print, 50 13/16 × 62 5/8″ (129.1 × 159.1 cm). The Museum of Modern Art, New York. Carol and David Appel Family Fund © 2018 Joanna Piotrowska

BY: Jes Zurell

“To live is the rarest thing in the world. Most people exist, that is all,” wrote Oscar Wilde. We inhabit a time when human atrocity finds us before we’re ready to be found, a time when all the sex in the world is available and all the oppression in the world skulks in behind it. To photograph today is to inevitably capture polarity, and at “Being: New Photography 2018,” the latest presentation in the MoMA’s New Photography series, the whole point is to acknowledge and accept the infinite duality of what it means to be human.

“Being: New Photography” opens on March 18 and remains on view through August 19, 2018. It includes more than 80 new and recent works by 17 artists from eight countries. The images collectively feel like a still version of Netflix’s “Sense8” series, with layers of views existing vertically in the same moment.

While the photographers are at various stages in their careers, all are presenting their work at the MoMA for the first time. The diversity of style, content and context among the included works is a sound snapshot of our time. Some pieces are masked, others fragmented. Some are straightforward examinations of the human form, while others are abstract moments seemingly void of touch.

“Together, they explore how personhood is expressed today, and offer timely perspectives on issues of privacy and exposure; the formation of communities; and gender, heritage, and psychology,” says the MoMA. As you take in this sample of work, ask yourself what it is to be human, and what it means to be thoroughly alive.

 

Aïda Muluneh. All in One. 2016.
Aïda Muluneh. All in One. 2016. Pigmented inkjet print, 31 1/2 × 31 1/2″ (80 × 80 cm). Courtesy the artist and David Krut Projects. © 2018 Aïda Muluneh

 

B. Ingrid Olson. Felt Angle, box for standing. 2017.
B. Ingrid Olson. Felt Angle, box for standing. 2017. UV printed MDF, PVA size, Plexiglas, screws, 31 1/2 × 18 1/2 × 6″ (80 × 47 × 15.2 cm). The Museum of Modern Art, New York. Fund for the Twenty-First Century © 2018 B. Ingrid Olson

 

Paul Mpagi Sepuya. Mirror Study. 2016.
Paul Mpagi Sepuya. Mirror Study (4R2A0857). 2016. Pigmented inkjet print, 51 × 34″ (129.5 × 86.4 cm). The Museum of Modern Art, New York. Fund for the Twenty-First Century. © 2018 Paul Mpagi Sepuya

 

Sofia Borges. Yellow Chalk. 2017.
Sofia Borges. Yellow Chalk. 2017. Pigmented inkjet print, 90 9/16 × 59 1/16″ (230 × 150 cm). The Museum of Modern Art, New York. Fund for the Twenty-First Century. © 2018 Sofia Borges

 

Stephanie Syjuco. Cargo Cults: Head Bundle. 2013-16.
Stephanie Syjuco. Cargo Cults: Head Bundle. 2013-16. Pigmented inkjet print, 40 x 30 inches (101.6 x 76.2 cm). Courtesy the artist and Catharine Clark Gallery, San Francisco and Ryan Lee Gallery, New York. © 2018 Stephanie Syjuco

 

Carmen Winant. Detail of My Birth. 2018.
Carmen Winant. Detail of My Birth. 2018. Site-specific installation of found images, tape. Courtesy the artist. Photo: Luke Stettner. © 2018 Carmen Winant

 

Harold Mendez. Consent not to be a single being. 2017-18.
Harold Mendez. Consent not to be a single being. 2017-18. Pigmented inkjet print, 36 × 27″ (91.4 × 68.6 cm). Courtesy the artist and Patron Gallery, Chicago. © 2018 Harold Mendez

 

Andrzej Steinbach.
Andrzej Steinbach. Untitled from the series Gesellschaft beginnt mit drei. 2017. Inkjet print, 35 7/16 × 23 5/8″ (90 × 60 cm). Courtesy the artist and Galerie Conradi, Hamburg and Brussels. © 2018 Andrzej Steinbach

 

Joanna Piotrowska. XXXI, FROWST. 2013-2014.
Joanna Piotrowska. XXXI, FROWST. 2013-2014. Gelatin silver print, 50 13/16 × 62 5/8″ (129.1 × 159.1 cm). The Museum of Modern Art, New York. Carol and David Appel Family Fund © 2018 Joanna Piotrowska

Tags: